The Pixel Arriveth 1.5(Edition of 5)

INR. 30,000

Nandan Ghiya

NANDAN GHIYA
Nandan Ghiya is a young and emerging artist born in 1980 in Jaipur which remains his base. His experimental art practice challenges our perception of the status-quo and thus presents a new perspective of the young generation from a country with long-standing histories and cultures within a fast globalizing world.

Being Hindu, the artist believes in deep-rooted ancient values and philosophies that consider reality as merely individual perception and projection. Any arrangement of form and space defines individual, cultural, geographic or economic identities. Physicality is free from the five senses of humans. The interaction of the participants within the constructed
space is an interpretation of the artist as he weaves the ever-expanding sensory world he experiences as an artist into reality. By manipulating these associations, Ghiya tries to surface the Indroid from within the modern-day Indian generation.

Ghiya’s contemporary art practice addresses issues of the 21st Century and the influx of images with reference to found objects – old photographs, paintings, frames, books, memorabilia, for example he works with these images to create real- virtual digitised spaces. Ghiya pixelates portraits and images to transform a real picture to symbolise a virtual image that is a result of an incomplete download or has been zoomed into too much, with identifiable computer and internet screen icons on his artworks. However, in the case of these images, there is no way to rectify them by reverting back to an earlier page or zooming out to minimise the pixels to identify the morphed face. The identities are lost forever. Ghiya addresses the way images are viewed in society, by experimenting with the display of his work. The pictures become thumbnails (jpegs/gifs) dispersed in the exhibition space that cannot be clicked on to explore in detail in this real space. The images cannot be downloaded, they cannot be shared, and comments on them cannot be viewed by friends, friends’ friends or the public. The unique shapes of the frames, personalised by the artist for every image, come together to create a picture in its entirety – be it a webpage or a cityscape on the horizon. For the viewer, there are multiple layers and constant changes while discovering and losing perceptions of imagery and images.

Virtual space has the capacity to appear real. We commute through second-hand filtered, censored, monitored and manipulated information; controlling the way we want to be perceived. When one uploads / downloads a selected image on / from a search result on the internet, there is a conscious sense of awareness instilled. While one may feel
connected, they are ironically being isolated in their created cocoon of downloaded pixels. There is also a constant search for the right answer to every question via the endlessly growing information available online through search engines and Google Gods. The amalgamation of matter is always incomplete in this amoebic spread of information that is
invariably supplemented with images which, distract and divert into other levels of searches.

SOLO EXHIBITIONS:

2015
“Images Attacked, The Blue Screen by Nandan Ghiya”, Exhibit320, New Delhi, 2012
“Photoshop V1 & V2”, 10 Chancery Lane Gallery,Hong Kong, 2010
“timeVandal”, Exhibit320, New Delhi, 2006
“The Fool on the Hill”, Jehangir Art Gallery, Mumbai, 2001
“I Hope You Choke”, Hungarian Cultural Centre, New Delhi

GROUP EXHIBITION

2015
“POSTDATE: Photography and Inerited History in India”Curated by Jodi Throckmorton, San Jose
Museum of Art, will travel to Ulrich Museum of Art, Wichita State University, Kansas
2014
“Bright Noise”, Curated by Girish Shahane, Lalit Kala Acadamy, Chennai 2013
“Artchiving: The Artist’s Perspective”, Curated by Ranjita Chaney, Exhibit 320, New Delhi, 2012
“His – Story & Her – Story”, Curated by Ranjita Chaney, Exhibit 320, New Delhi
“Art Paris”, 10 Chancery Lane Gallery, Paris
“Art Cologne”, Alexander Ochs Galleries Berlin| Beijing, Cologne
“Contemporary”, Sakshi Art Gallery, Mumbai
“The Contemporary Sultanate”, Curated by Veerangana Solanki, Exhibit 320, New Delhi, 2011
“Census of Sense”, Curated by Veerangana Solanki, Exhibit320, New Delhi, 2010
“Let’s Talk”, Curated by Ranjita Chaney, Exhibit320, New Delhi,2008
“Popular Reality”, Curated by Ranjita Chaney,
Gallery Seven Art, Delhi & Dubai
“Art Contemplate”, Curated by Ranjita
Chaney, Contemplate Art, Coimbatore
“The Monsoon Festival Chapter 4”, Curated by
Himanshu Verma, Gallery Nvya, New Delhi

ART FAIR PRESENTATION

2014 “Citizens of Time”, Curated by Veerangana Kumari Solanki, Dhaka Art Summit,2013
Art Basel Hong Kong, Exhibit320, New Delhi
India Art Fair, Exhibit320, New Delhi,2012
SH Contemporary, Exhibit320, Shanghai
India Art Fair, Exhibit 320, New Delhi
Art Stage, Exhibit320, Singapore, 2011
HK ART 11, Art Future’s Section, Hong Kong, Exhibit320,
“When the Moon is lying the Sea Weeps and Dark Safaris Destroy the Destroyed”, Art India
Summit, Curated by Shaheen Merali, Exhibit320, New Delhi

PUBLIC COLLECTIONS

Artists Pension Trust – Mumbai
Deutsche Bank – Birmingham
Samdani Art Foundation — Dhaka



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