Set of prints
Born in 1942 in Boorugupali, Andhra Pradesh, T. Vaikuntam completed a Diploma in Painting at the College of Fine Arts and Architecture, Hyderabad, in 1970, and pursued Painting and Printmaking from the Faculty of Fine Arts at Maharaja Sayajirao University, Baroda, in 1972. worked under the guidance of artist K.G. Subramanyan.
He held his first solo exhibition at the Kala Bhavan in Hyderabad in 1973, and since then has had regular shows at various galleries in Hyderabad, Bangalore, New Delhi, Kolkata and Mumbai. His most recent shows have been ‘Yes, I am He’ organized by India Fine Art at Jehangir Art Gallery, Mumbai, in 2007; ‘Telangana: Inheritance of a Dream Lost’ at Art Alive, New Delhi, also in 2007; and ‘Mukham’ at Sanskriti Art Gallery, Kolkata, in 2006.
Some recent group shows that have included Vaikuntam’s work have been ‘Indian Harvest’ presented by Crimson – the Art Resouce, Bangalore, at SG Private Bank, Singapore, in 2009; ‘The Root of Everything’ at Gallery Mementos, Bangalore, in 2009; ‘Post Independence Masters’ at Aicon Gallery, New York, in 2008; ‘6 Artists Show’ at 1×1 Gallery, Dubai, in 2006; ‘Tradition and Change’ at Arts India, New York, in 2002; and ‘Ignition’ at Crimson Art Gallery, Mumbai, in 2000.
Among his several honors is the National Award for Painting, which Vaikuntam received in 1993, and the Biennale Award from Bharat Bhavan, Bhopal, which he received in 1988-89. His paintings are a part of several renowned collections and his works have been exhibited widely. Over the past five years, exhibitions of his works have been held in New York, London, and Birmingham.
The artist lives and works in Hyderabad, Andhra Pradesh.
Sisir Sahana was born in Bankura, West Bengal in 1963. He studied art at Kala Bhavan, Shantiniketan and did both his Bachelor’s & Master’s Degree in Painting. He then went on to do an Advanced Diploma in stained glass painting from Central St. Martin’s College of Art & Design, London in 1994. Sisir is today known more for his glass sculptures and relief work in glass.
“I use a combination of sand and soda-lime, along with colouring agents, to produce a raw material, which melts together to form molten glass” – Sisir Sahana
His sculptures are stylized figuration. His understanding of materials and managing glass makes his work distinct. You can clearly see an influence of folk culture and temple architecture in his sculptures. Combining his command over glass and his skills in painting, Sisir is able to portray human elements and social issues such as concerns around urbanization that is close to his heart. Ranging from soft grays, pastoral greens to bright reds and other colours, he carefully works in sections to allow his human figures and metaphors to evolve.
He is the recipient of the Merit Scholarship from Viswa Bharati University and the Commonwealth Scholarship in 1993-1994 that gave him the opportunity to study stained glass painting that greatly influences his work today. Sisir has also been invited on a fellowship to Wheaton Village, USA by the Creative Glass Centre of America in 2000. A winner of many awards including the Kala Bhavan Annual Exhibition award and the AIFAC national award, he has been recognized for his brilliant work in glass.
Sisir has held over 20 solo exhibitions across various art centres in India that include Kolkata, New Delhi, Hyderabad and Bangalore. He has participated in more than 50 group exhibitions both in India and abroad. What is interesting is that many of his shows outside India have been with local galleries from those countries. His works are part of many private collections across the world.
Born in Kerala on 15 February 1924, K G Subramanyan was one of the leading artists who was part of India’s post-Independence search for identity through art. He completed his Bachelor’s Degree in Economics from the Presidency College in Chennai. In 1948, he graduated from Kala Bhavan in Santiniketan, where he studied under the tutelage of Benode Behari Mukherjee, Nandalal Bose and Ramkinkar Baij. In 1955, he received a British Council Research Fellowship to the Slade School of Art at the University of London.
A writer, scholar, teacher and art historian, K G Subramanyan was prolific in his art, spanning the spectrum of mediums from painting to pottery, weaving, and glass painting. He believed in the value of Indian traditions and incorporated folklore, myth and local techniques and stories into his work. He was an inspiration to generations of students as a member of the Baroda M S Fine Arts Faculty. His focus there in later years was on terracotta and pottery.